Live Sound

Learn how to time-align and sync plugin latency in racks, channels, busses, groups and more with delay compensation the eMotion LV1 live mixing console.

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We caught up with studio and live mixer Jon Lemon (Sia, Depeche Mode, Beck) during his tour with Sia to talk about his journey as a sound engineer.

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FOH engineer Jon Lemon (Sia, Depeche Mode) shares his workflow and strategies for mixing with plugins in any environment, studio or live, digital or analog.

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Phil Peters, Director of Audio Services and FOH Mixing Engineer for the Christian Broadcast Network, chooses the eMotion LV1 Live Mixer, the Waves Tracks Live recording software, and Waves plugins for CBN broadcasting.

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Find out how FOH engineer Stephen Bailey mixes Grammy-winning Christian music artist Matt Redman on tour, and why he chose eMotion LV1 as his live console.

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FOH engineer Oscar Söderlund (The Cardigans) and monitor engineer Peter Fredriksson (Roxette) have chosen Waves MultiRack and Waves plugins for the West End production of the rock opera American Idiot, based on the music of Green Day.

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The Primary Source Expander (PSE) plugin operates in four modes. This article explains how and when to use each mode in order to achieve the best results.

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Learn how you can get noise-free, feedback-free live sound, with maximum gain and clarity from your mics, using the Primary Source Expander (PSE) plugin.

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These two plugins will get you the loudest, cleanest FOH and monitor mixes – but each has its own advantages. Learn when to use each and for which purposes.

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Learn how to use the Primary Source Expander (PSE) plugin in a live show to prevent stage noise and get maximum gain before feedback from your microphones.

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