InPhase

“I started using InPhase last year and it has completely changed the guitar sounds I am able to get. We are using two mics on the guitar cabinets, a dynamic and a ribbon, and those mics sound best at different distances from the cabinet. This creates a phase difference, which I am able to correct with InPhase. Being able to quickly take a measurement and align those mics is absolutely key. In a live setting where despite our efforts we will never be able to get the mics in the exact same place every day, this is a must-have tool for any source with multiple mics.”

“I love using InPhase for aligning snare top and bottom as well as guitar DIs and mics. It's so much better than a phase-flip button, and its ease of use is great!”

“InPhase was a life changing discovery. I use it on literally anything that gets picked up in more than one place: snare mic pairs, bass pickups and bass mics, near and far strings mics – everything. InPhase is truly indispensable.”

“This is my instrument of choice to create stereo width as well as for correction purposes. It’s very handy and very versatile to correct phasing and delay in orchestral recordings between all the different mics. Also, it’s a great sound design tool to make the sound come from outside the speakers! The combination of sample delay independent of left and right with phasing switches and gain per channel makes this ideal for widening mixes!”

“InPhase is my most useful utility plugin for live shows. I like using two mics, or a JDX and a mic on guitar amps, and with inphase I can tweak it to get great coupling, just like I used to do with the Radial Phazerbank in the analog world.”

“I’ve been working on a feature that is shot from the POV of the main character. Waves InPhase has been indispensable for putting the character’s voice inside your head while using a treatment that would be compatible in all subsequent down-mix formats.”

“A great widening trick I learned is using Waves InPhase stereo, and pulling the delay dials hard left and right.”