Electric 200 Piano

Regular $69

On Sale $29

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Precise sampling of the classic 200-model electric piano featured on classics by Stevie Wonder, Marvin Gaye and Queen, with effects, compressor and amp added.

Electric 200 captures the bite, bark and punchy reed tone of the electric piano model used on classic recordings by Ray Charles, Pink Floyd, Steely Dan and many more.

Sampled from two individual instruments, each with its own distinct tone, Electric 200 gives you the flexibility to create classic and adventurous sounds in rock, jazz, R&B and electronic music – “a quantum leap forward in feature, tone, responsiveness, realism and grit from other sampled Wurlitzers,” according to top studio musician Charlie Judge.

Electric 200 is designed to deliver the human touch that is so essential when sampling tonally complex analog instruments. For an authentic feel with true physical presence, you can mix in the sound of the internal piano mechanisms, as if the original instruments were sitting right in front of you.

The included high-quality effects give you tons of versatility in just a few knobs. Use the phaser for a classic ‘70s stomp pedal sound, the reverb for natural spatial placement within your mix, or jam live with the intuitive controls for smooth modulation effects. Combined with musical tone controls, Electric 200 gives you endless possibilities for adding this sought-after electric piano sound to your music.

Sampled from two vintage electric pianos of the same 200 model
Mix section for adding different sampled sounds from the originals (hammer, key up, mechanics)
Compressor, limiter and amp included
Effects include tremolo, autopan, phaser, chorus, reverb
Plugin or standalone instrument
Use your Electric 88 presets in Electric 200
NKS-ready for NI Komplete Kontrol and Maschine

User Guide

Pianos & Keys

$145

Charlie Judge Recording Musician, Composer, Arranger, Conductor

Carrie Underwood, Blake Shelton, Keith Urban

“Electric 200 absolutely knocked me out. It’s a quantum leap forward in feature, tone, responsiveness, realism and grit from the other sampled/modeled Wurlitzer pianos out there – and believe me, I’ve tried ‘em all! This thing rocks!”

Melvin Lee Davis Bassist, Producer, Composer, Arranger, Musical Director

Chaka Khan, Dave Grusin, George Duke, Bryan Ferry

“Electric 200 takes me back to the legendary sounds of Donny Hathaway. Brilliant! ”

Kris Menace Producer, Remixer

Depeche Mode, Robbie Williams, Moby, LCD Soundsystem

“Electric 200 gives me those great Wurly sounds that I’m looking for. I’ve used it for backings and made some signature sounds for it. I love that it includes the amp, limiter and compressor, as well as the on-board effects.”

Jason Miles Keyboardist, Producer, Composer

Michael Jackson, Miles Davis, Luther Vandross

“The Wurlitzer has always been my personal favorite when I need that tough funky sound. With the Waves version I have total control over the instrument. Electric 200 gives me that classic, gritty Wurlitzer sound that I can use for all kinds of music – fat and majestic. ”

Tim Lauer Keyboard & Piano Player, Producer, String Arranger, Songwriter

Taylor Swift, Megadeth, Shawn Mendes, The Civil Wars

“I’ve owned original Wurlitzer pianos for over 30 years, I’ve played many well-maintained Wurlys in studios around the world – and I find Electric 200 to be a great option. I’ve used soft synth Wurlitzers that sounded good but didn’t feel right to play. By adjusting the velocity curve, formant and drive, I can get this software instrument to respond the way my original Wurlitzer does. I usually prefer the classic tremolo speed, but it’s nice to sync the tremolo to tempo sometimes. The overdrive is just right, too – warm and fuzzy.”

Dave Darlington Composer, Recording, Mixing & Mastering Engineer

Avicii, David Guetta, Sting, Oz

“The Electric 200 really sounds amazing and can go anywhere from real emulation to outright sound design!”

James Sanger Producer, Studio Musician, Programmer, Mixer, Songwriter

U2, Keane, Phil Collins, Dido

“Electric 200 is like having a Wurly already set up in the studio and ready to record, whenever I want the sounds of those classic 70s and 80s records.”

Tony Harrell Session Keyboardist, Producer & Songwriter

Johnny Cash, Taylor Swift, Sheryl Crow, Jason Aldean

“I love using Waves virtual instruments in my recordings, especially the Electric 88 which gives me a genuine Fender Rhodes sound, and the Electric 200 version of the Wurlitzer.”

Brian Trifon Composer, Sound Designer, Producer, Remixer

Halo Wars 2, Massive Chalice, Finishing Move Inc., Trifonic

“Excellent sampling of the Wurlitzer, sounds great even with no effects added.”

Vahagn Stepanyan Keyboardist, Producer, Arranger, Songwriter, Composer

Eric Moore, Melvin Lee Davis, Feodor Dosumov

“Electric 200 gives me options to design my own original sounds. Sounds great when I tweak and jam with it.”

Mike Stevens Musical Director, Producer, Multi-Instrumentalist

Annie Lennox, Take That, ELO, Tina Turner

“That great Wurli sound is faithfully reproduced by this brilliant electric piano. I find myself going to this piano time and again, rather than to some of my more expensive versions, as it sits so well in the mix! It brings that vintage sound without swamping the mid-range of my tracks.”