CLA-76 Compressor / Limiter

Regular $249

On Sale $39

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Inspired by two highly-desirable revisions of the famed mid-60s Class A line level limiting amplifier, both versions of the CLA-76 (“Blacky” and “Bluey”) offer the superfast attack (as quick as 50 microseconds!) that made the originals studio legends. With an exclusive “ALL” control that recreates the original’s explosive “All-Ratio-Buttons-In” mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.

Modeled compressor plugin
Based on the famed mid-'60s Class A line level limiting amplifier
Superfast attack
Sounds excellent on drums
Exclusive ALL control
Zero latency
Pre-amp distortion modeling

User Guide

CLA Classic Compressors

$89
Horizon

$419
Mercury

$3499
Pro Show

$4000
SD7 Pro Show

$6000

Tom Lord-Alge Producer, Mixing Engineer

Blink-182, Weezer, Live, Dave Matthews Band

“No mix of mine would be complete without CLA-76. Whether on guitars or vocals, this plugin sounds exactly like the units I used to ‘borrow’ from my brother. I guess it’s time to return them!”

Noah Passovoy Producer, Engineer, Mixer

Maroon 5, Katy Perry, Taylor Swift

“I can’t live without this plugin on my sessions. The CLA-76 is all over everything I work on.”

Jacquire King Producer & Mixer

Kings of Leon, James Bay, Tom Waits, Niall Horan

“I use the CLA-76 Compressor a lot. It sounds and behaves so much like my own 1176 Bluestripe!”

Mick Guzauski Mixing Engineer

Daft Punk, Eric Clapton, Janelle Monáe, Mariah Carey

“CLA’s 1176 has the best simulation of the ‘all buttons down mode’ of the hardware 1176 that I’ve heard in a plugin.”

Ethan Mates Recording & Mixing Engineer

Linkin Park, Red Hot Chili Peppers, Black-Eyed Peas, Die Antword

“I’ve been a huge user of 1176s for 20 years, and the CLA-76 is the closest thing to the real deal, period. Not only is the sonic output fantastic, but the way that it reacts to incoming audio the same way a hardware unit is really impressive. Another plug that gets used on every mix.”

Mark Ralph Producer, Songwriter, Mixing Engineer

Clean Bandit, Years & Years, Jax Jones, TIEKS

“I love CLA-76. I mainly use it on vocals. It very accurately emulates the original hardware versions.”

Carlos de la Garza Producer, Mixing & Recording Engineer

Paramore, Young the Giant, Wolf Alice, Ziggy Marley

“The CLA-76 makes pretty much everything that runs through it sound better.”

Daniel Duarte-Gonzales FOH, Monitor Engineer

Beyoncé, Frank Ocean, Gungor

“The challenge of being a monitor mixer for Beyoncé is how to make the mix huge and powerful in the in-ears without being so loud that it would ruin your hearing after a two-hour show. CLA-76 is killer for that. I can compress things subtly and take the edge off many of the inputs; this way I can even out Beyoncé’s mix and create space for the ‘loud’ moments while keeping her vocal on top the entire time.”

Gabriel Fajardo FOH & Monitor Engineer

Nicky Jam, Farruko, Soulfire, Sebastian Yatra

“I use CLA-76 at the beginning of my vocal chains to heat up the signal and control peaks in the output. Sometimes I use it on the master mix after the SSL G-Master Compressor with less than 3 dB of reduction.”

SodTp Producer, Musician, Songwriter

William Singe, Che Pope

“My favorite compressor by far. I slap the CLA-76 on almost everything.”