Blog

Waves  Blog

We’ve all heard “Cut, don’t boost!” But is that true? How do you know if you should boost or cut when sculpting EQ? Learn when to do each, and how to set the most effective subtractive vs. additive EQ parameters for your mix.

Read More

Studio Renaissance-man Mark Ralph has graced some of the biggest synth/electro bangers of recent years with his eclectic layering of dance and classical sounds. We peeled back the layers and got to the core of his symphony of hits.

Read More

Learn how to mix drums from start to finish, from setting compression and EQ to correcting phase problems and manipulating transients. Then, finalize your drum mix with parallel compression, and add depth and dimension with reverb.

Read More

One of the first rules of music production has been to never to master your own mixes. But some rules are meant to be broken: Learn how to polish off your finished mixes without losing your perspective.

Read More

What do you do when you need to deliver the audio mix for Elton John’s farewell 360/VR project – and you don’t have access to your surround monitors? We asked Grammy-winning mix engineer Brian Yaskulka what he did in his hour of 360° need.

Read More

Find out how channel strip plugins speed up your mixing workflow while adding the pleasing coloration of analog consoles within your DAW – and how they have adapted into the digital age with more flexibility than ever before.

Read More

Emmy Award winner Jim Fitzpatrick (Family Guy, American Dad) has worked the sound stages of the biggest Hollywood blockbusters and prime-time TV series. We asked him what’s involved in being the last line of audio defense before a film or show hits the public – from having creative fun with a sound, to detailed audio repair.

Read More

Legendary producer/engineer Eddie Kramer (Led Zeppelin, The Beatles) recorded rock’s greatest classics bar none. We talked to Eddie about restoring the final collection of Jimi Hendrix studio recordings, Both Sides of the Sky.

Read More

Should you try to win the loudness wars, or do you retain as much dynamic range as possible? You can achieve both! Learn exactly how to fine-tune your mix's dynamics and gain the best of both worlds.

Read More

Supervising sound editor Mark Mangini (Mad Max: Fury Road) and re-recording mixer Ron Bartlett (Life of Pi) have done things in sound design you wouldn’t believe. Find out how they shaped the sonic landscape of Blade Runner 2049 without creating a mere replica(nt) of the original.

Read More

61 - 70 of 339
1234567 8910