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Understanding how digital audio works including sample rate, bit depth and A-D conversion can ensure a smooth recording experience. Find out what you need to know!

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When recording guitars, you can get BOTH realistic amp/room tone and the convenience of a plugin VST! Learn these essential tips to recording impeccable-sounding guitar parts with amp sims.

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Could you create depth in your mixes WITHOUT any reverbs, delays and spatial effects? We’ll prove how can you do just that, with these 4 must-see tricks.

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Do you need to upgrade to an Apple M1 computer? What advantages can this have for your DAW, Waves plugins and music production setup? Learn what you need to know in order to streamline your audio workflow with the new Macs.

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Nuance is what separates the pros from the beginners when it comes to mixing, and these 5 details which take your listening and processing skills to the next level.

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“The Waves LV1 system is the future. The clean sound of the preamps especially blew my mind.” FOH and monitor engineers for Asaf Avidan talk to us about touring during Covid, and why the eMotion LV1 is indispensable for their sound and setup.

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Is your song sounding overloaded and disjointed? You may have too many production elements. Give more breathing space to fewer instruments – learn 4 minimalist tips to get more music from less tracks.

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“Waves is the best prepared to respond quickly and seamlessly to various situations,” says LIVE DATE’s FOH engineer Takuro Sawada. He tells us why in the age of streaming and online concerts they chose to rely on Waves eMotion LV1 and plugins.

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Multi-platinum producer and songwriter Erik “Blu2th” Griggs, member of Dr. Dre’s in-house production team, hits you with his top 5 vocal production tips – including the best tip he got from Dr. Dre himself.

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“Waves’ eMotion LV1 is the most effective and efficient system that exists today,” says ASIIS Indonesia’s production director and mix engineer Andy Sutikno. He tells us why he needs a Waves console and plugin setup to achieve the live mix he wants.

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