| 1.Q: |
"What's so different
about TrueVerb?" |
| |
Most reverbs add an effect that is
mixed with the original signal using a "wet/dry" control.
TrueVerb creates an effective room simulation by using two separate
processors. The first generates Early Reflections that convey
the size of the room and the distance to the sound source. The
second processor is a relatively traditional reverb "tail"
generator. Combining the two with simple control (and sophisticated
linking) lets you control the room size, frequency response (damping),
and most uniquely, the distance to the sound source. In effect,
you create a room, and then put the performer in it! You simply
route the entire sound Thru the TrueVerb, instead of a send/recieve
patch.
|
| 2.Q: |
"Do I have to
use it this way?" |
| |
No, you can use it in a traditional
"send" mode as well. In fact, the Direct, Early Reflections,
and Reverb outputs can each be turned off in the output stage.
The TrueVerb gives you a toolkit to build traditional or creative
rooms.
|
| 3.Q: |
"How does TrueVerb
compare with other reverb systems, like DVerb and TC Electronics?" |
| |
TrueVerb is specifically designed to
simulate a room and precisely balance the Direct, Early Reflection,
and Reverb signal in order to do this. Several major producers
have said they feel the Early Reflection generator is one of the
finest they have heard on any device anywhere. Each of these reverbs
you asked about certainly has its own personality, and you may
find that one may fit a task better than another, depending on
the source material. However, they are so fundamentally different,
it is unfair to all to compare them. If you want a natural room
sound with the unique control of distance (the true 2nd dimension),
then TrueVerb is your best choice.
|
| 4.Q: |
"Will TrueVerb
work with Sound Designer II?" |
| |
No, it's a TDM-only plug-in. The DSP
requirements are only satisfied by TDM DSP Farm hardware.
|
| 5.Q: |
"Where
is the wet/dry control on the TrueVerb?"
|
| |
There is no traditional
wet/dry control on the TrueVerb and the reason is simple. There
is no way to approximate a room and then put the listener a virtual
distance from the source. This is because the effects of distance
in a particular room are more complex than just the relative balance
between the wet and the dry signal. Therefore, the Trueverb's
version of the wet/dry control is the distance control which actually
lets you place a listener a virtual distance from the source.
This controls adjust direct signal level, early reflection level,
early reflection time, reverb level and reverb time. Note that
this control and the room size control only work when TrueVerb
is used in the thru mode.
|
| 6.Q: |
"What
if I want to use the TrueVerb like I would a regular reverb?" |
| |
Note: You
must have an application that supports busing to use a send/return
setup. It is fairly easy to set up a send/return setup. If
you are using Pro Tools TDM just create a new stereo auxillary
input and insert the Trueverbon it. Turn the "Direct"
button off and you are set to send track to it.
|
| 7.Q: |
"What
is the dimension control all about?" |
| |
Dimension effects
only the Early Reflection spacing. It doesn't affect the reverb
in any way. The best way to hear and understand the effect that
dimension has on the sound is to start with asolo instrument track
that has some dynamics and start with the Medium Concert Hall
setting. Change the dimension to 1.0 and you will hear a smoewhat
closed sound, like the reflections are traveling back and forth
in a line. Move the dimension to 2.0 and you will hear the sound
open up as the patterns become more complex. This would be the
kind of sound a plate would give you. Move the dimesion control
to 3.0 and you will hear the sound open up even more. This is
the reflection pattern of a normal room. TrueVerb even allows
you to take it to a virtual 4 dimensions with a very spacious
sound and complex reflection patterns.
|
| 8.Q: |
"What's
the arrow between distance and balance do?" |
| |
The link button controls
whether the Reverb level and the predelay are automatically matched
to the early reflections. When this link is onthe Predelay value
is set automatically and the balance, when set to 0dB, will refer
to a smooth transition between early reflections and reverb.
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